April 16, 2013
A New Blog = CameronPhotographer

I am no longer updating TheF-Stop.

Please follow my new Tumblr Blog CameronPhotographer.

http://cameronphotographer.tumblr.com/

Thank you.

June 7, 2011
When Film had an Ad Budget

       

September 1987 back cover of National Geographic.  Film was the only option and Kodak was king. 

May 24, 2011
What I learned from a Wedding

From day zero I never wanted to photograph weddings.  Not that I don’t like weddings, I had one and have been to many.  Not that I don’t appreciate wedding photography, it is very special, perhaps the single most cherished item aside from the rings are the photographs.  The simple reason I don’t do weddings is I am not Mr. Cherished Moments.

Well never say never.  Last month a dear friend of mine asked me photograph his wedding, they were on a very small budget, so as a gift I agreed.  What did I learn from this experience, I actually enjoyed it (it was my friend getting married after all), I wish I had an assistant (I wanted a diffusior/reflector sooo badly), I have to be faster at changing camera settings from low light indoor to bright sun outdoor (or set up two camera bodies) and know (absolutely know) all the shots you need to get.

The happy couple was very pleased and most of my friends are married, so this exercise was probably a singular success.  My big point here is I learned something, many things in fact and so if asked my advice is to photograph things that aren’t your thing and learn a thing or two.

             

1:34pm  |   URL: http://tmblr.co/ZvJ23y5PzUFr
Filed under: photography wedding 
April 5, 2011
Camera Of My Dream

I woke up this morning after one of the most vivid dreams I have ever had.  I was photographing a family, there was a birthday party, then I was outside photographing the house.  People were discussing my photography as I was taking pictures.  The camera was old and new, very odd with multiple lenses.  I was reviewing the images in the LCD screen and noticed that peoples faces changed from image to image.  The faces became distorted and evil.  The camera seem to take pictures of the inner person.  I was the only one who seemed to notice or care.

Here is this camera as I remember it.

                   

March 28, 2011
Is Being a Photographer Hard?

I was recently asked if being a photographer is hard? I paused before answering.  When I think of something as being hard or difficult I think of algebra or calculus, areas where I have no aptitude at all.  

To answer the question honestly, no I don’t find being a photographer is hard.  Photography as profession however, is so very challenging, it requires a tremendous amount of dedication and perseverance, luck has never never hurt a photographer either.  To add to the equation photography has no absolutely no guarantees of success, aside from personal artistic gratification.

The reason I find photography not hard, is that I enjoy it to a fault.  Everything about it, the equipment, the people, the hours of editing & photoshop, the endless self promotion, the rejection, the good images, the bad images, the pleathera of mediocre stock photography, I embrace it all.  Photography is me, I am photographer.   With my last breath I’ll press the shutter release. It’s that easy.

2:27pm  |   URL: http://tmblr.co/ZvJ23y3u9i9J
Filed under: photography 
March 18, 2011
The Importance of Cohesion

Concept and cohesion are vital to a photographer’s work.  To have several thought out, complete, edited photographic projects in your portfolio arsenal is essential.  On top of that, to have one or two currently in the works demonstrates a persistence of vision and personal/professional development. 

How you choose to visualize your topic/subject matter is significant.  A photojounalistic approach to a subject is vastly different from an abstract vision.  In the same vein, wide far away visuals have a totally different impact than tight close up images.  No approach is right or wrong, it is a decision, and that decision requires forethought.

Often projects can be embellished with an artists/project statement.  A short well written prose explaining the project’s value and your motivation, intent.  Even if you don’t have a written statement, to be able to speak to those elements when presenting your work supports your artistic and subjective decisions.

Art buyers and photo editors can be very interested in looking at completed photographic editorial projects or essays, in lieu of or supplemental to a standard portfolio.   In addition publications such as www.burnmagazine.org specifically look for these types of projects. A completed comprehensive work demonstrates not only your photographic skills, but your choice of topics says a lot about who you are and what is important to you.

Art Support provides ten good guidelines to portfolio preparation at http://art-support.com/portfolio.htm

March 11, 2011
Rockstars Own The Image

If you photograph rockstars in concert you are familiar with the release contracts they require.  It is business as usual for big name rock acts to enforce strict licensing agreements on concert photography.  Don’t like the contract, don’t stay and enjoy the show it’s that simple.

Here are contracts from Lady Gaga and Coldplay.  Coldplay goes as far as limiting photography to certain songs.

February 25, 2011
Help Models Get Camera Comfortable

When working with an amateur model or when shooting portraits for clients there are a few simple tricks and hints that can make the moment, that gets the shot. 

Being comfortable in front of the camera may come naturally to some, however it really is a talent and skill, that is why there are professionals.  The reality is most people are not so comfortable in front of the camera and it is the photographers job to change that.  In my note book I have ten things that I review all the time, to help me and my model/client.

#1 - Allow the model to bring a friend, this is a huge boost.  Encouraging comments from someone they trust helps create good energy and builds confidence.  Friends have fun together.

#2 - Bring props.  Almost anything will do.  Items that are relevant to concept of the photo or that the model/client identify with, always a good choice.  Odd ball objects that seem weird often become a playful distraction.

#3 - Action.  Have the model do something, anything.  Walk, jump, walk and look back, crawl…  Actions and motion create good body positions and also force the subject to concentrate on the action.

#4 - Keep the Hands Occupied.  Hands are funny things to have when having your picture taken.  What do you do with them?  Make them do something, hands on hips, run hands through hair, touch/brace the face.

#5 - Cross Legs.  Might seem unnatural, but crossed leg, especially with women. shifts balance and creates good posture.

#6 - Twist Body.  Come everybody and do the twist, literally.  Having the model twist left to right, right to left also shifts balance and accentuates form.

#7 - Weight to One Side.  Another balance shifting method.  Forcing ones weight to one side creates curves that again accentuate form.

#8 - Direct the Eyes.  Having the model look at the camera, slightly away from the camera, up, down, left, right, even gaze towards an object totally out of frame will create emotion and character.

#9 - Camera Angle.  Shoot high, shoot low.  When the model is looking up or down at the camera it can create dominance or innocence both very powerful themes.

#10 - Don’t Shoot.  It is helpful not to always have your eye glued to the camera.  Keep the camera close, but look at the overall scene, communicate with your model, get a rhythm going, snap a few, then look again.  Even try (if your camera can) the sequential setting using a tripod and directing the model away from the camera.

Most importantly have fun, if taking the pictures seem tedious or you are nervous those emotions will transmit directly to the model and interfere with the good energy that gets good shots.

February 10, 2011
Cairo 1962

Courage is what it takes to stand up and speak; courage is also what it takes to sit down and listen. - Winston Churchill 

Egypt your time is now.


January 26, 2011
Stretch Your Eye

One of the most important practices in photography is personal exploration and expanding your boundaries.  If you’re a nature photographer, spend some time in the studio, if you’re a studio photographer spend some time in nature.  There is always something to be learned, something new to see; camera angles, light direction, subject matter, use of unfamiliar equipment. 

Personally I tend to shoot a lot of landscapes, landscapes are what I see.  Recently I have made an effort to get out on the street more often (the new G12 helps) and explore the urban environment.  In addition a recent photograph I took in Maui, really came to life with heavy use of a specific Topaz Adjust process I would normally overlook. 

It is important to have your style and stay focused, but not to get stale and repetitive.  Stretching your self visually and conceptually will help your photography stay fresh.

4:17pm  |   URL: http://tmblr.co/ZvJ23y2lak9J
Filed under: photography art 
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